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Posts Tagged ‘Towns’

 

AND SO HERE WE COME, to a time of consumerism and a mythical figure from a frozen land who is on the dole 11 months of the year. If Christmas is getting to you, relax, put on your slippers, tuck into a chocolate ginger, stick the music mags in the recycling bin and wallow in the Ultimate Guide to 2014 … Porky’s choicest cuts of the past 12 months, in no particular order. Oink oink.

Bill Pritchard: A Trip to the Coast Pritchard 1

We said: Bill Pritchard, English eccentric extraordinaire, the Midlands equivalent of Morrissey and the Go-Betweens with songs about “tea on a Friday morning” and “watching the sun leave the sky”. A pleasantly endearing record that my local library saw fit to buy.

Morrissey: World Peace Is None of Your Business Morrissey

We said: There are snippets of The Smiths, and of Morrissey in his embryonic solo days, but I can safely say this is a typical Morrisssey album, scathing, insightful, illuminating, occasionally humourous, but rarely dull. I’m trying hard to think of other albums released this year, or the past four, that would elicit the same emotions. I fail. Morrissey is an enigma.

Bis: Data Panik bis

What we would have said: Bursting with juicy, punky, in-yer-face, indie disco floorfillers, bis return after a sabbatical or a dozen, with an instant masterwerk that keechs all over their wannabe pretenders. Bouncy, pacy, sparkly, cutting edge and contemporary … if bis were a football team they would be Glasgow Celtic FC.

Gold Medal Famous Free Body Culture (Powertool records)

Gold Medal FamousWe said: Agitating for a vote against the odious National Party at this year’s election, You’re So Outrageous tackles the affronts against the constitution the ruling junta (surely democratically elected government? – ed) has carried out, by using urgency in parliament to push through bills deemed essential, and thus avoiding public scrutiny. Using a hypnotic dance beat and eerie vocals, Gold Medal Famous prove there’s a way of make a political point in this drab cultural era. Free Body Culture, named after a German nudist movement, is varied, playful, angry, and esoteric; it is the band’s finest effort yet.

xBomb Factory: No NO

We said: There is no escaping our dark world, where the worst type of unemployment is the unemployment of the mind. “They’re on the sofa, my life is over,” is the eerie revelation of how the Idiot Box has taken over. NO is not an easy ride, but it is a fulfilling one. The clatter can be overwhelming, and the bleakness stultifying. But I often felt like that after the Gang of Four’s Entertainment. Among the anger and the cynicism is a manifesto for a better lifestyle and an empowered mindset, the two precursors for a better world. Free your mind and your ass will follow someone once sang (it wasn’t Justin Bieber).
Towns: Get By

TownsWe said: Get By doesn’t fit in with the terribly pompous and, quite frankly, staid British music scene of the moment. For one thing, there’s a bit of a swagger about them; not for them the mean and moody look, with songs about lost love and how their beard is growing because they’re too miserable to trim it. There’s a lot of guitars, and effects, and yes that old chestnut, shoegazing is being trotted out by lazy, hazy journalists. Is it 1990 all over again? Well yes, to an extent but it could also be 1967.

Pete Fij and Terry Bickers: Broken Heart Surgery Broken Heart Surgery

We said: It’s Porky’s personal desire for an album to be upbeat, jaunty, to contain songs I can hum or whistle along to while making breakfast; so slower, more intense tracks like Sound of Love don’t quite catch the ear in the same that Breaking Up would. But one man’s meat etc, and I know a man in East Anglia who would say the exact opposite to me.

Broken Heart Surgery is a touching critique of modern love, noting the distractions technology and communication can have, removing some of the personal aspects of an affair. It’s written in the manner of the mood swings that love brings and takes, but often with delectable irony.

The Moons: Mindwaves

The MoonsWe said: Mindwaves is an attempt at the Great British Album, hence the deft psychedelic touches of Syd-era Pink Floyd, the overblown orchestration, reminiscent of ‘about to call it quits’ Beatles, and, of all things, glam rock. Fever begins with a rehashed riff from a long-forgotten Sweet single, and Heart and Soul oozes Ziggy Stardust period Bowie, with dutiful drops of mash-up-the-beats Kasabian circa 2004. There’s something for everyone.

 

The Primitives: Spin-O-Rama Primitives

We said: The opening title track sets out its stall early: pounding riffs, gorgeous vocals and the sound of a band glad to be together again; there’s hints of Crash in the pace and jollity of it all and it shouts for attention from the roofs. Hidden In the Shadows has the trashy, edginess of one of the 1986/87 singles, complete with frenetic verses and a rousing chorus. This is pop at its finest.

 

Trick Mammoth: Floristry (Fishrider records)

Trick MammothWe said: The opening tracks, Baltimore and Pinker Sea, have Millie Lovelock’s dreamy voice at the forefront, but by the third Adrian Ng is sharing vocal duties, and takes on more of such responsibilities as the album progresses. It’s a combination I am unsure of; Lovelock alone gives a breathy atmosphere to Baltimore; Ng’s soft but forceful timbre is apt for Days of Being Wild, but sometimes I am left with the feeling that he should be doing this, and that she should do that, and maybe both of them should be doing the same thing. Or differently.

Trick Mammoth are strong believers in love, happiness, the beauty of flowers, the glory of youth and a deep devotion to music, and its role in the hearts and knees of the world’s pre-middle agers.

 

 

 

 

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Towns: Get By

IT ISN’T OFTEN that Porky becomes excited about a new band (you’ve noticed?!?!) but here’s an exception, in the form of a sprightly English Towns band called Towns from a faded seaside town called Weston-super-Mare. It seems Paul Weller would concurr too. And the NME, which went overboard, in its own inimitable way, by declaring Towns as the best new band of 2011 on the back of a demo tape. A dodgy booking agent and record label shenanigans nearly killed them off, but here they are, in 2014, releasing their debut album, Get By (Howling Owl records).

Get By doesn’t fit in with the terribly pompous and, quite frankly, staid British music scene of the moment. For one thing, there’s a bit of a swagger about them; not for them the mean and moody look, with songs about lost love and how their beard is growing because they’re too miserable to trim it. There’s a lot of guitars, and effects, and yes that old chestnut, shoegazing is being trotted out by lazy, hazy journalists. Is it 1990 all over again? Well yes, to an extent but it could also be 1967.

Heads Off reminds me of early-era The Charlatans without the Hammond organs; but the band they sound most alike are a little-known outfit called The Telescopes, who went from a scuzzy leather-trousered mob to mangled indie dance-pop act, and were one of its finest protagonists, though they largely went unnoticed at the time. Hell, there’s even a hint of My Bloody Valentine in the opening riffs of Get Me There, but James MacLucas sounds nothing like Kevin Shields, in fact, I would imagine him doing a good impression of a hyperactive child when they perform in Leamington Spa or Harlow. And then you have Gone Are The Days, full of the kind of effervescent psych-pop that bands like The Horrors and Toy are trying to perfect, but Towns have an energy about them that befits such a manic, frenzied track.

There’s plenty of influences here, and reviewers have been caught up listing all the shoegazing/ baggy bands that were around a quarter of a century ago. And yeah, I have been a bit guilty of this myself, but it is quite hard to bypass the sounds that I last heard in 1992 on Blur’s Popscene. But regardless of this, Towns are something else, they marry it all in one glorious soup of an album. Production wise it may be slightly hindered and once they get some money behind them, and realise where they want to to, I can see Towns progressing to the cities.

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